Sunday, July 24, 2011
Can you pitch and tell?
Wednesday, May 11, 2011
Craft Macaroni and Cheese
As I approach the end of my undergrad career, I've had a lot of time to think back over the past few years. First, let me say I am theater major--I live to analyze the human condition. No seriously, it's what I've been trained to do. After many weeks of self reflection, I have come to the following conclusion: acting or costume design (my concentration) offers on the surface something that seems to be "easy" but when cracked open is as complicated and as nuanced as a business degree.
I mean how hard is it to come up with clothing for people to wear?
How hard is it to write a book--you all remember how that one went? Right, I think I've made my point.
The point being these things seem simple, but as we dig into them we find so many complexities. In costuming there is color, texture, fabric, silhouette, period, interpretation. And within each of those even more subsections and theories. How does colors affect mood? I can't remember the number of times I've sat through a lesson on color theory or perhaps worse the psychology of color. Green makes people look sick, red is rage or romance, blue sad.... Then they cross over, for example if you choose a twill fabric suddenly your silhouette is affected. You have to be aware of these bits in order to put together awesome costumes.
Similarly, you need to learn the craft of writing in order to be a better writer.
Could I have entered the theater world without a college degree--sure, but that doesn't mean I can ignore this pesky little thing called craft.
When I first sat down to take a writing class, I thought I was hot stuff. This writing thing, it was soooo simple. You sit and type stuff out on a page--right cause that's difficult. Now, do not mistake me, I had been a fanfiction writer for a number of years. I'd sort of paid attention to character development, but mostly I thought I didn't need any of that. I knew it all because I had been an avid reader as a child and well still am as an adult.
My first writing class pointed out my severe lack of knowledge in my own discipline.
Plot, character development, dialog, point of view, and theme. At first glance each seems relatively simple. Plot--please that's what happens--DUH. Character development--uh characters aren't stagnant, hheeelllllooo! But well built plots are not just plucked from thin air. They come from well developed characters who have a point of view, who also speak....uh-oh. Now we're running into all kinds of connections.
I've taken about four writing classes. One through my University, and three through a local writing center. I've learned to develop a thick skin, especially when editors are looking at your work. I've learned how to read like a writer--yah there's a difference between reading and reading like a writer. But more importantly, I've learned about the art of writing.
Where to begin stories. How to talk about what is missing without saying...uhhh this sucks. I can now politely tell you why that specific point in your story is not working for me. I've learned sooo much about narration and point of view. My first class taught me how my story was not a first person story, but others have honed my tight third. The list is endless, but the one thing remains constant: my writing gets better the more I learn.
Craft is there for a reason, so reach out for it with both hands. Accept some of it and break other bits. I mean Suzanne Collins totally threw the "no flashbacks until chapter three" out the window, and look how she did.
So now to include the rest of the title in this post, an understanding of craft, can help you add a little macaroni to your writing. Ohh double meanings of words they are great for creating cheesy-ness.
Okay I'm done. Oh wait no there's a question: How do you take your craft? --Er--How do you learn your craft?
Monday, March 21, 2011
And....BREAK!
The reward for killing the king should be death, no matter the circumstance. Because if you live long enough you’ll wish it was yourself on the other side of the weapon. I know I do.
I killed the king. I killed the king without thought, remorse, or care for my own safety. And yet, here I am celebrated as a hero, the lone rebel who stood up to a tyrant and slit his throat. I remember standing in his room, my dagger sheathed in blood and the king lying dead before me. I didn’t want to be a hero—I wanted my home.
Here, I am home and still there is no peace, the new king stands muddy up to the eyes in my library, and I am contemplating regicide, yet again. Iri showed him in, without thought to my order that I was not to be disturbed. I suppose king trumps employer. Just my luck.
That's my way of dealing with the ups and downs of writing. What's yours?
Monday, March 14, 2011
Mountain Climbing
Wednesday, March 9, 2011
Three truths and a lie.
#YAMafia
Well this blogger took some interest in it because hello the Twitterverse was like totally obsessed with this for like five minutes. Now that's some sort of power peoplle--but really I just like a good scandal.
The idea of the YA Mafia is that there is a select group of writers/authors/bloggers/reviewers, who have the power to choose who gets to be publishd, who gets to be reviewed/who gets to review, and basically rule the publishing world--or if you join them/befriend them and give them cookies they can give you a helping hand.
Awesome, am I right? Totally baking cookies right now, but before I break out my mother's super secret cookie recipe let's reconsider this for half a second.
We can approach this as a it does exist vs. it doesn't exist dichotomy, but really, let's face it, this sort of discourse is really going to lead us nowhere. Fast. Like Susan Collins' Hunger Games fast. If we can't use the dichtomy how do we approach something like YA Mafia scandal? We can't prove its existence and we can't disprove it--it's basically taking a nap with Shrodinger's Cat.
The only way I can approach it is with a little advice--okay a LOT of advice--from my mother that makes me say YA Mafia--YA Shmafia.
I've always compared being a writer to being an artist, and like any artist involved in a community there are definitely cliques, "mafias," and other things that make the art world go round. As a very young child, I decided I wanted to be an actress, and I tried out for play after play and repeatedly got my heart broken. It wasn't until a friend's mother pointed out the fact that the kids getting cast had a direct connection to the director/producer/big shots in the industry that I understood something relatively important.
Nepotism is alive and well.
Scary right? I mean, I cried over not getting cast, because it wasn't fair. I mean we live in America, and that means this is the land of the free and that means everyone has a fair chance. As long as you pull yourself up by your bootstraps...yadda yadda yadda. My mother, as many many mothers before her, uttered the phrase "Life isn't fair." How I hated this phrase. It burned me and rubbed me the wrong way, because life should be fair, I work hard and do everything I can so life should be fair.
But it's not.
Then a few years went by and I now still in theater and dabbling in film have discovered yet again that its who you know and partially what you know. Talk to anyone in my theater department or any one of my film professors and they will tell you that nepotism still happens and that you need to know the right people. The "right people" meaning a) who can get you a job and b) who you should not anger in your attempts at climbing the artistic ladder. Now I'll be the first to admit I don't know the publishing industry, but if it exists like any other type of art then I'm gonna guess there is some strong urges toward this "mafia" idea. Not that everyone is playing along, but that there is a healthy chance this could be going on.
I got so angry at one point over people playing "favorites" and ignoring all of my work that I called up my dear mother once more to complain about the situation. She fed me this extremely frightening line:
"Fine, if it's so hard, and never going to happen. Quit. Quit right now and go into something that is 'safe'."
Whoa, what a concept, give up what I love because someone says no, or that there's some secret cabal out there waiting to posssibly destroy me? I don't think so. How could I ever dream of doing something else? This moment, this dream is the culmination of a lifetime of work, and now to just give up because some person doesn't think I'm good enough.
No. False. Not going to let the Shrodinger's Cat of the literary world, ruin/run my life.
YA Mafia, sure, you can give into them. Accept the fact that someone out there has a handle on your fate, and there's nothing you can do about it. That someone decides they don't like you and are going to secretly amass a propoganda machine to take you down. There will be people like that, there are people like that. Now are they in the publishing/theater/film/art world--I hope not but I have a sinking suspiscion that there are some people like that lurky in the backwaters.
But if that's all it takes to freak me out, and make me back away from doing something I love then my mother was right. I should quit and fast. Like sparkly running vampire fast. But I choose to stay and have faith in myself. I have crit partners who have done so much for me, I have taken classes, and at the end of that day, I am happy with my endeavors.
From my years in theater, writing, and film, I've come to the conclusion that there are people out there who are like this supposed YA Mafia, there is a lot of who you know, but there's also a lot of what you know and there are people who look for that. It's not an "us" vs. "them" philosophy, it's a give and take, sometimes there will be truth to what you know and sometimes it will be about who you know. It's an acceptence that sometimes life just ain't fair. Ouch, that still hurts to hear.
Accept it and write your book, make your play, or film your movie anyway. Fight for your ideas (they're yours after all so who better to fight for them?), make friends who are like you and want to get published (the road is too long to go at it alone--I mean even King Arthur had a support team), be friendly to new people (Golden rule aside, remember what it was like to be a newbie), and let secret sects be secret sects (because I think they're out there, but I really just don't care).
In other words, bring it on YA Mafia--if you really exist--I'm not going anywhere.